Now THAT'S a Knife!

As Mick Dundee demonstrates to us in the video above, a big knife has a quality all it's own.

Impressive, intimidating and unapologetic.  These are all useful traits found in big blades.  In today's world it's just too difficult to intimidate someone with a pen knife.  Only a big blade will do.

From a practical standpoint the era of the big blade ended in the 1970s.  Before then big blades were common sights on camping, hunting and fishing trips.  Our collective national experience, fed by westward expansion, the Civil War and two World Wars told us that big blades were what you needed when afoot in the wilderness.  This necessity hearkened back to the days when firearms were unreliable and slow to reload.  You got one shot with your gun and then it was back to the blade to finish the fight.  It didn't matter if you were attacked by a bear or were set upon by wild savages, nobody finished fights with pocket knives.  You turned to the sword or a large knife.    

But America's infatuation with big knives can actually be traced to a single historical incident.

In 1827 Jim Bowie attended a duel where many of the attendees carried pistols.  The incident quickly devolved into a riot and everyone carrying a gun emptied it early in the fight.  Things were ended using large knives and sword canes.  This was the infamous Sandbar Fight near Natchez, Mississippi and the incident cemented the legend of Jim Bowie and his large blade in American popular culture.  After the story of the fight hit the eastern newspapers the demand for large 'Bowie's knife' style blades became insatiable.  No self-respecting woodsman would venture beyond his front yard without a large Bowie-style blade on his belt. 

The famous studio shot of Teddy Roosevelt in his buckskin
outfit with a large Bowie-style blade stuck in his cartridge belt.
Legend has it he bought the knife from Tiffany's!

It took almost 150 years for American tastes in outdoor knives to change.  I believe this was driven by two influences.  First was a flood of laws that made carrying large knives in public illegal.  Some jurisdictions went even further and simply banned them outright.  Many of these laws had been in place for years in places like New York City but enforcement was expanded in the wake of the civil unrest of the 1960s.  Suddenly carrying a large knife drew suspicious looks, even on camping trips.  The pressure was on to abandon the large blade.

However, I attribute the real change to the influence of custom knifemakers like Bob Loveless and Jimmy Lile.  These men were experienced hunters who championed the concept of the smaller drop point hunting knife.  Large volume knife manufacturers picked up on the trend and soon you had companies like Gerber putting out affordable, high quality drop point knives.  This trend is still going strong, and the drop point hunter blade style still rules.

And yet, the large Bowie-style blade is still immensely popular.  In terms of volume sales it is probably as popular as it was 50 years ago.  The reasons are simple - there are just some chores only a large blade can handle.  As the late Ron Hood was fond of saying, "You can do small things with a big blade, but you can't do big things with a small blade."  The other reason is that, well, the Bowie knife is just so damned American!  American history and outdoor culture is so tightly intertwined with the Bowie knife that it is impossible to separate them.  Anybody with any interest in American knives will one day own a big Bowie-style blade.  It is a cosmic inevitability.

Knife manufacturers around the world are happy to supply the American addiction to the Bowie knife.  Virtually all domestic and foreign manufacturers have a Bowie-style blade or two in their lineup.  Some manufacturers seem a little embarrassed with their Bowie knife offerings, hiding them at the back of the catalog and referring to them as a 'clip point' style or the currently popular 'combat knife' (like that's any more politically correct than 'Bowie knife').  Others are up-front and in-your-face about their Bowie knife offerings. Loud and proud.  No apologies or genuflections to political correctness.  The bigger the better.  Almost a big, fat middle finger to the anti-knife bed wetters.

Perhaps the most up-front, in-your-face, unapologetic big knife purveyor in the market today is Cold Steel Knives.  Cold Steel's founder and president Lynn Thompson just loves big blades and the Cold Steel catalog is chock full of swords, machetes, kukris, tantos and, of course, some of the biggest Bowie-style blades available on the market today.

One of the Cold Steel blades I'm particularly taken with is the Trailmaster Bowie.  In my opinion it is one of the best modern interpretations of the classic Bowie knife.  This is a big piece of steel - the blade is 9 1/2" long and 5/16" thick - but it is surprisingly well balanced and quick in the hand.  The blade sports a long false edge, or swedge and ends in a well formed clip point.  The double brass guard perfectly complements the blade.  The Kraton handle is a nod to modern materials and manufacturing, but the shape is reminiscent of the classic 'coffin-style' handles.

Cold Steel Trailmaster Bowie.  This particular model is made out of carbon steel.
I included a Case medium stockman pocket knife for scale reference.
Cold Steel has these manufactured in Taiwan, but the design is all American and
is very well executed.

As Mick Dundee would say, "THAT'S a knife!"  Loud, unapologetic, intimidating and so uniquely American in design.  Just what you need to finish an argument.  Or conquer the West.

Stay sharp!

Brian

Just In Case Santa Anna Makes a Comeback

I figure what better knife to inaugurate my new blog with than the Bowie knife.  Is any knife more American than the Bowie?  Well, yeah.  Like the early English trade knife patterns, but I digress.

Jim Bowie was a scoundrel, land speculator, scofflaw, slaver and, many claim, a murderer.  He also just happened to be at the Alamo and dying of tuberculosis when Santa Ana decided to teach the uppity Texicans a lesson by wiping them out.

Jim Bowie.  Without the knife.

Several years before the Alamo, while living in Louisiana and Mississippi, Bowie had cause to use a big ol' hunting knife on a few folks.  One of these fights, originally arranged as a formal duel, devolved into a melee that ended with Bowie disemboweling the sheriff of Rapides Parish.  He used a big knife his brother Rezin had given him.  This was the infamous Sandbar Fight  that established the legend of Jim Bowie and the Bowie knife.

But what did the first Bowie knife look like?  Who knows.  Whatever Bowie was carrying at the Sandbar and at the Alamo has been lost to time.

An early pattern Bowie, commissioned by Jim Bowie's
brother Rezin.  This is probably close to the style of knife
carried by Jim Bowie.  This knife is on display at the Alamo
in San Antonio, Texas

What we do know is that it was probably made in Arkansas by a local blacksmith and it was most likely nothing more than an enlarged butcher knife.  Historians are pretty sure it didn't look anything like the Bowie knives we see made today.  The blacksmith's name was James Black and he did a good business in knives.  A number of his blades exist in collections today but none have been identified as the Bowie knife, the original carried by Jim Bowie at that Alamo or a close authentic copy.

A picture of James Black, reputed to be the blacksmith
that created the first 'bowie knife' for Jim Bowie's brother Rezin.
Note the knife he's holding in his left hand.

No matter - by the 1840s the Bowie knife and Jim Bowie's death at the Alamo had become the stuff of legend.  American cutlery manufacturers couldn't make Bowie knives fast enough.  Literally.  To fill the gap the English stepped in with their own interpretation of the knife and they exported tens of thousands of 'bowie style' blades and finished knives to the US right up into the early 1900s.

The fact that nobody really knew what Bowie's knife looked like didn't seem to slow anyone down - all they had to do was make it big and call it a 'Bowie style' and it sold. Early on two features became almost standard - a clip point blade and a coffin-shaped handle. Seems these two features had shown up on a James Black knife made after the Alamo and everybody just assumed that was what Jim Bowie's famous knife looked like. Rezin Bowie was always real circumspect with his description of the original knife, probably because he couldn't really remember what it looked like. But he wasn't about to admit that - there was too much money and prestige on the line!

Once the Bowie knife was burned into American folklore it proved impossible to root out. It has become a movie star. Literally. Any movie about Jim Bowie or the Alamo had to have the Bowie knife as a co-star. Just as in real life, the Bowie knife on screen became an integral part of the Jim Bowie persona. It became the iconic American blade style. Even in today's jaded age of the internet where pundits work overtime to pull down our heroes, Jim Bowie and his knife remain an almost untouched icon of the American frontier. Sure, he was a flawed character, but he was authentic! He was as big a personality and as forceful a character as his legend suggests, and the knife he carried was as authentic and as forceful as the man. By God, he was an American! Well, at least until he was granted Mexican citizenship and headed to Texas...

Virtually every knife maker - whether a large cutlery firm or a small time maker - has a Bowie style knife (or two, or three) in their catalog. Some offer entire lines of Bowies. Some independent knifemakers make nothing but Bowies. They are as popular today as they were in the 1840s.

A modern interpretation of the Bowie knife made by Case Cutlery.
This knife was a gift from my wife back in 1977.  I'm not sure
who the coon skin capped fellow is who's likeness is etched
on the blade.  Davey Crocett perhaps?  About the only thing
he and Jim Bowie had in common is that they both
died at the Alamo

If, like me, you spend any time and effort accumulating knives you will very quickly add several Bowie-style blades to your collection. They are impossible to avoid. A knife must satisfy two or three stylistic trademarks before it can be called a Bowie. First, it has to be big. Why big? Simple - Jim Bowie didn't win the fight at the Sandbar with a pocket knife. Real Bowies are big, manly knives. Girls don't carry Bowie knives, they carry dainty little pen knives. A Bowie is a man's knife. It's gotta' be big. If it ain't big it ain't a Bowie. Period. Next, it has to have a clipped blade. A clipped blade is one where a false edge is ground along the top 1/3 or so of the blade. This clip angles down to meet the belly of the knife blade at the tip. What's the false edge for? Why, for easier penetration when disemboweling your enemies. Did you learn nothing from the Sandbar Fight incident? Last, it must have a double cross guard. This is so when you are going mano a mano with your enemies your hand is protected as you thrust, slash and parry with your knife. It also helps if the knife has a coffin shaped handle because, well, because that's what James Black put on his knives and if it's good enough for James Black (and James Bowie) it's good enough for us!

Another classic modern interpretation of the Bowie.  This one is

by Buck Knives and is their Model 119 Special.  This has been Buck's

#1 selling fixed blade knife for decades.

But is the Bowie style knife good for anything other than fightin', slashin' and stabbin'? Opinions vary, and they vary very, very widely. Some consider it the ideal all-around knife. Some consider it good for nothing but killing (well, duh). That last group is mainly politicians from Chicago, downstate New York and the entire state of New Jersey. Hell, let's just throw the entire Democratic Party into the blame pool and call it a day. The truth is that this style does make a good all-around outdoor knife. I'll be fair and admit that there are other blade styles better suited for things like skinning animals or delicate camp chores like slicing food, and sometimes the shear size of the blade gets in the way. These relatively minor complaints aside, the Bowie knife is a great all-around design. Plus, it's just darned cool looking. So menacing. So ready for a fight. So damned politically incorrect. I love it!

So dear readers, your assignment for this week is to go watch John Wayne's classic movie 'The Alamo' and then go buy yourself a good 'ol Bowie knife.